The use of sculpture in words

The refined language of ancient Chinese sculpture is another artistic feature of imagery. Ancient Chinese sculptures have never invented the styling of Western sculptures to accurately shape objects. Zhang Naizhi's transformation emphasizes the charm of humans and animals. It is a commonly used technique. Western close-up sculptures are an anti-traditional realism of deformation, pursuing the language of sculpture. The variability and the freedom of the sculpture space are not enslaved by objective objects, making art creation more pure. Ancient Chinese sculptures are actually the artistic realm that achieves the variability of sculpture language and the freedom of sculpture space. The language of processing is round, embossed, and wired, which is variegated according to the dual needs of rock shape and animal image. This language of circle, float, and line carving can be seen in the Han and Tang Dynasties, the stone beasts of the past and the Buddha statues. They make Chinese sculptures more holistic in terms of refinement, and sometimes they are more sculptural and even architectural. I think the value of sculpture lies in its visual pleasure, the profoundness of the content, and the enrichment of the experience that comes with it. Sex and persistence.
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